Monday, December 7, 2009

Crash-mas tree, oh Crash-mas tree




Had a great day's snapping last Monday. Great to get a dry day after the biblical rain we've been getting lately. Spent a longgggg morning trying to take a self-portrait for the challenge category at the Limerick Camera Club monthly competition night. The one I submitted is my new profile pic (see top right). My idea was to take a shot of myself in a mirror looking at a childhood photo of myself. The picture on the left of that was taken the last time I had a fringe, back in 1988. Literally had to take 80 photos with the remote. Discovery=not only do I hate having my picture taken but I also hate taking it!

The black and white photo came third in the beginners' black and white category. It's the weathervane on top of the restored Russell fountain in People's Park. Luckily just caught the sky trail of a plane passing overhead.

The Christmas tree above is actually the top section of the now infamous eco-friendly, metal tree that was floated on a pontoon in the river...until it made a break for freedom in a rough high tide and wedged itself against the Shannon Bridge. The headlines are a subeditor's wet dream...'Tide Christmas' was my suggestion. It's still marooned on the side of the river, in bits. Only in Limerick!! Made a nice photo as a silhouette though, gorgeous sunset.

Tuesday, November 24, 2009

No wonder the Twi-hards can't resist a 'New Moon'




Robert Pattinson and Taylor Lautner

Just been to see 'The Twilight Saga: New Moon' and it seems the hype is somewhat deserved. Much like the books it sticks rigidly to, it's not without its faults but given that the plot revolves around vampires and werewolves I think we'll have to accept some far fetched-ness. Bizarrely the unreality crept in when Edward and Bella were just trying to be human. For teenage lovers, they spend very little time talking about normal things and fighting off each other's advances. It's all 'why won't you make me immortal?' and 'you're the only reason I have to stay alive (painful pause) if that's what I am'. Lighten up kids- chat about 'Family Guy', go drink a few cans!

The special effects are pretty good so the supernatural element holds up...much better than say, the unintentionally hilarious dialogue or the fact that Bella appears to be dangerously unlucky. The acting, direction and adapted script are all commendable but the three of us (all women) agreed that the best thing about the film has to be the talent...as in hot men, not method acting.

Taylor Lautner spends most of the film half naked, showing off his (to quote Jimmy Kimmel) ‘35 abs’; there was actually an audible gasp in the cinema when he took his top off for the first time. Aside from all that, I think we were all rooting for him to get the girl. And if he can't do that, at least take his shirt off while mourning the fact.

Unfortunately, he's in competition with the equally gorgeous Robert Pattinson. While he is oddly pale, prone to melodrama and at 109, has still learned nothing about women, you've got to love him. He's a modern Heathcliff or Romeo (which the author spells out relentlessly) and really pours on the undying love. The two of them are very distracting, as demonstrated by Bella whose eyes are always drawn to Taylor's torso or Rob's perfect hair. How cruel that she has to choose?

One of my mother’s favourite nuggets of wisdom is ‘looks don't boil the pot’...watch out Plato!! But I think it's fair to say, in this special case, a bit of admiration/shallow escapism is acceptable. Self righteousness aside, I think 9 out of 10 women wouldn't be kicking Taylor or Rob out of bed for eating Taytos. Obviously, we went for the, ahem, cinematography but overall ‘New Moon’ is an entertaining watch and not the worst way to pass two hours.

Thursday, November 19, 2009

I'll f***in' 'va va voom' you Thierry


Thierry Henry. Gillette...the best a hand can get ------>

First—800 years of oppression, then economic collapse, now the cheating French doing us out of a place in the World Cup finals. It may be undeserved in many ways but that's not the point when we played so well. Why Ireland, God, why??? One of FIFA's long-standing mottos is ironically 'Fair Play'...better put those banners into storage lads!

By the way, that second handball by Henry is the sporting equivalent of a certain farmer going back into the house and reloading. I'm just sayin...

'The Revenger's Tragedy' at the Belltable—review


And this week, from the dark and dusty vault of the Limerick Independent...

IT’S NOT often that a play comes with a foreword by leading criminologist and reporter, Paul Williams, but ‘The Revenger’s Tragedy’, running until November 21 at the Belltable has that honour.
The play—produced by Bottom Dog Theatre Company in association with the Limerick Theatre Hub—is an adaptation by playwright, Mike Finn, and directed by Myles Breen with a strong local cast and crew.
Williams’ assertion that it is “a story for the times in which we live” holds true as the 1607 text is updated to portray a modern day gangland feud.
The plot holds up surprisingly well as Vinnie (Liam O’Brien) plots to kill the Duke (‘Killinascully’s’ Pascal Scott) for murdering his lover years before.
But getting revenge on the sleazy crimelord is a challenge for Vinnie as he is forced to contend with his own conscience through his sister, Cat (Dorothy Cotter before the Duke’s wife; his son, Lucky (Pat Ryan); his illegitimate son Spaz (Aidan Crowe) and his stepson—“not exactly the Waltons”.
While the world may have evolved, human nature is as base and easily corrupted as ever as jealousy, contempt and lust build up to bloody retribution.
Bottom Dog is a company with considerable talent and the cast all turn in strong performances (with very authentic accents) with special mentions for O’Brien, who is by turns pathetic and menacing; Ryan, who is ruthlessly ambitious and Crowe, who is excellent comic relief.
The script brings mixes the original text with everyday language, including plenty of swearing and culural references.
The innovative production design, multi-level set and original music by Stephen Ryan all add to the quality of the show.
Bottom Dog has dragged the decomposing play from the grave of the literary canon and re-animated it with an electrifying and inspired energy. Not to be missed.
For tickets, call 061-319866.

Wednesday, November 11, 2009

Review of Choke Comedy Improv and other ramblings...


I would hazard a guess that one of the industries booming during the recession has to be comedy. While only a fraction of the population can play a violin, Nero-style to accompany the country's fortunes being razed to the ground-the rest of us could always use a good laugh.

If you want a pleasant change from stand-up/the cinema, Limerick now has it's very own live version of 'Who's Line is it anyway?'- Choke Comedy Improv. I always liked the television show (of the former) not just because it was very funny and original but also because the idea of performing relying only on spur of the moment wit is terrifying.

The group of local performers took the floor at the Belltable- in front of an almost capacity crowd, which was great to see in itself- and launched into game after scene with gusto. There wasn't a dull moment in it and like the tv show, the gang were at the mercy of the audience with MC, Myles Breen, asking them to shout out details like places and relationships between characters while we also wrote down words and phrases, which were incorporated into segments.

Highlights included an effort to re-enact a scene, without any words, about how Barney the Dinosaur was killed by a teletubby in Southill with a handbag that had a brick in it. It was passed on 'Chinese Whispers' style with interesting results. A scene where Myles continually got to shout 'stop', 'rewind' and 'fast forward' with hilarious effect. A brilliant improv scene where a boyfriend and girlfriend in Thomond Park had to have a deep meaningful conversation comprising of mostly random sentences from the audience, which they picked out of a hat. A scenario in which one actor provided all the hand movements of another as he was pretending to a be a professor giving a speech about toothpaste. And who could forget 'Snow White: The Simpson's musical'. Fair dues to all the performers because it's really challenging but it seemed effortless.

All in all, it was great fun and only €10 a ticket for two hours of rib-aching laughter. It's on again on December 7 and www.belltable.ie has all the info. Just reading over this, I want to go again!

MUSICAL OBSESSION
To clarify, I measure this by my mp3 player because I spend so much time walking everywhere because I'm between cars and what I play all day on the work itunes/youtube. Not by how many restraining orders have been filed against me by the following artistes: Lady GaGa- 'The Fame' is actually a really great album; the lyrics are brilliant and the tunes are catchy. James Morrison-'Songs for me, truths for you'-love his voice. Lykke Li-think I'll have to buy 'Youth Novels' altogether because 'I'm good, I'm gone' and 'Little Bit' have been playing on repeat for days on end. Biffy Clyro- likin their own stuff but their cover on the Live Lounge of Ciara's 'Love, sex, magic' is savage. And the live stuff on lead singer's side project, Marmaduke Duke's song 'Rubber Lover' and their cover of Beyonce's 'Single Ladies' are unreal too. The soundtrack to the film 'Amelie'-beautiful piano and cool French sounding accordian. Perfect chillout material.

ME AND OUR KES ARE TRYIN TO WATCH A PORNO IN ERE
Also I've just spent the whole week reading 'Porno'...the novel by Irvine Welsh and not the good stuff. It's a follow-up to 'Trainspotting', which is brilliant, but I can't decide if I liked it or not. It's well written and offers interesting viewpoints and social commentary on pornography, the sex industry and the demands/overemphasis on instant gratification of modern life. It's (as expected) disgustingly graphic and violent at times. The sheer depravity of the characters is bleak too. I think I'll post a longer review some day but still struggling to make sense of it at the minute. Now I'm off to update my Facebook status to "Rachael is still wrestling with 'Porno'"...

Friday, October 30, 2009

Funnies




Just felt compelled to reproduce these two brilliant comic strips from 'Cyanide and Happiness' on www.explosm.net. The balloon-boy reference is very clever.They do tend to cut fairly close when it comes to decency so not for the easily offended. If you can't accept that sometimes it's wrong to laugh but you have to anyway, then you probably just need a sense of humour transplant. Some day, there'll be a registered charity for that...

Any road, C&H add a new strip every day but it's fun to do the random selection of the archives too. One of my favourites is of a besuited stick man version of Justin Timberlake walking up to a shop assistant and saying 'I'm bringin sexy back'. She replies 'No returns without a reciept' and the last panel has him saying 'You motherf***ers don't know how to act'. Genius.

Sunday, October 18, 2009

Media storm ahoy!


Update Monday—21,000 complaints sent to the PCC about the article=most complaints EVER!

Daily Mail columnist Jan Moir

Look outside the window, a media storm is brewing. They don't come around too often but this one is looking like a level 5, last seen in 'Twister'. I picked up 'The Guardian' newspaper for the first time in a while yesterday; it's usually great on a Saturday and on page 3, there was a rare enough sight- a newspaper openly and savagely criticising another paper/journalist for an opinion article about Stephen Gately who sadly passed away this week and was only buried yesterday.

Journalism is very much a profession conducted in the public domain so everyone sees articles in the papers and has a hop off them. It's often deserved in some way but still generally done in private. Not so with Jan Moir. She is being tried by media and it's already getting very personal. For her sake, be glad that lynch mobs have fallen out of fashion.

She writes for 'The Daily Mail' in the UK so I'm not sure if the offending opinion column made it into the Irish version. Maybe not, given that it was about a much-loved Irish singer. What could she written that was so bad? you cry.

Her article ended up with the headline 'A strange, lonely and troubling death...', which was a change from the original one: 'There was nothing natural about Stephen Gately's death'. Moir's article says things like the circumstances in the case are "more than a little sleazy" and "under the carapace of glittering, hedonistic celebity, the ooze of very different and more dangerous lifestyle has seeped out for all to see".
She said that many celebrity lives/deaths have been "shadowed by dark appetites or fractured by private vice" and that the incident has been "shaped and spun into nothing more than an unfortunate mishap". "He would want to set an example to any impressionable young men who may want to emulate what they might see as his glamorous routine", she added. She also implies that she didn't think it was caused by natural causes, contrary to medical evidence.

She has since had to write a clarification and pointed out that in the last quote I listed, she was "referring to the drugs and the casual invitation extended to a stranger. Not to the fact of his homosexuality". Well that's okay then!? Maybe just not say anything from now on Jan.

I'm sure the Guardian article in online and I'd urge you to read both pieces but its headline was: 'Tabloid columnist's take on death of gay icon provokes record level of complaints' and it began: "It must have seemed a routine assignment for one of the Daily Mail's star columnists; a catty take on the death of Boyzone star Stephen Gately which pandered to the prejudices of its readers." Whoa! I know the Daily Mail was set up by fascists back in the day and is considered to be ultra-conservative in the UK but that's still pretty strong.

It goes on to explain that there have been over 1,000 complaints about the article to the Press Council(it has since been reported to police at Scotland Yard too, yikes) and that advertisers had pulled ads from the paper/website. The majority have said that it is hateful at best and very homophobic at worst. The actor and comedian, Stephen Fry, immediately went on Twitter to urge followers to 'complain where it matters' and said: 'I gather a repulsive nobody writing in a paper no one of any decency would be seen dead with has written something loathsome and inhumane'. Someone else, disturbingly, posted her home address on the internet.

The Guardian also had a short op/ed headed 'Hateful idiocy-by any yardstick'. It accused her of dancing on Gately's grave.

It's a complex case, which is very interesting from a media perspective.

Firstly, there was plenty of thinly veiled speculation about Stephen Gately's death before all the facts came to light. The exact same situation happened with Michael Jackson and Katie French, among others. The famous facts upon which news is supposed to be based seem to get a little lost sometimes. BUT whatever was theorised is best left to gossip.

Opinion pieces are obviously very subjective but that's not to say that they can contain anything at all. We all have opinions and inevitably, some can be unpopular! I can remember at least one very similar case where a columnist (who funnily enough writes for the Irish Daily Mail sometimes) took a swipe at the paralympics because she didn't see the point of it. The editor had to print a front page apology because of the outcry. So it's hard to believe the editor passed Jan Moir's article. It was very speculative and implied foul play. It appears to reveal some prejudices by the writer. Perhaps she didn't even realise she had them but the article made comments that would be interpreted as being about homosexuality as well as being hurtful, particularly to the family and friends involved.

Newspapers are slow to say 'sorry' because that can be legally interpreted as an admission of guilt (the law has changed in Ireland but maybe not the UK) that can be used in libel cases. However, I'd say an apology might have to appear in this case. The clarification doesn't acknowledge that people were offended and why. Either way, I think Jan Moir is in serious trouble career-wise because she will find it hard to salvage her reputation. The buck stops with the editor and the subs who should've protected her and the public.

We live in an age where almost anything goes. What was considered offensive 10,20,30 or 50 years ago just doesn't apply. But just because the League of Decency isn't around doesn't mean that the media should run riot. Maybe you can't libel the dead but that's not to say that you can say whatever you want about them. There are real people involved and one person's opinion can have wide ranging implications.

When the storm's over and the wreckage cleaned up, it will be worth remembering the damage and how it can be avoided in future.